I had the occassion to visit a well- known gallery that has a substantial collection of pieces from the Delaware River Valley area. Having been exposed mostly to reproductions and originals in private hands, I was somewhat surprised by some less than perfect details of certain pieces.
There were many examples of fit and finish that would not pass scrutiny on a piece being built today by our members; I noticed particularly drawer fronts that were cut out of square, bad fits, and rather poorly matched grain. I am not talking about things that have developed due to time, but flaws that would have been evident in the pieces as new.
Are current reproductions typically built to a higher standard that period pieces , and using wood that is more highly selected ?
If so, does this come about because we tend to follow the very highest quality originals, not typical pieces ?
Karl
There were many examples of fit and finish that would not pass scrutiny on a piece being built today by our members; I noticed particularly drawer fronts that were cut out of square, bad fits, and rather poorly matched grain. I am not talking about things that have developed due to time, but flaws that would have been evident in the pieces as new.
Are current reproductions typically built to a higher standard that period pieces , and using wood that is more highly selected ?
If so, does this come about because we tend to follow the very highest quality originals, not typical pieces ?
Karl