John Cashman
Well-known member
I agree with Jeff. Finding the boards with the figure and widths you want is hard enough. I have never worried much about what was period appropriate, and it's pretty hard to tell once a piece has been assembled and finished whether or not it's hard or soft.
Some folks claim the nomenclature for figured maple is set in stone, but most people (myself included) are never quite sure what others mean. I consider fiddleback to be the figure with the very tightest, densest curly figure, followed by tiger, with pretty dense curl, and then curly, which is . . . curly. I've never used other varieties, but usually just consider the more mottled figure to be quilted.
As someone else pointed out, some maple, particularly 12/4 for legs and turnings, has nice figure on the quartersawn sides, and much less on the flatsawn faces.
Some folks claim the nomenclature for figured maple is set in stone, but most people (myself included) are never quite sure what others mean. I consider fiddleback to be the figure with the very tightest, densest curly figure, followed by tiger, with pretty dense curl, and then curly, which is . . . curly. I've never used other varieties, but usually just consider the more mottled figure to be quilted.
As someone else pointed out, some maple, particularly 12/4 for legs and turnings, has nice figure on the quartersawn sides, and much less on the flatsawn faces.